“Might it also be duly added that “Bonnie & Clyde” is the best a mic’d musical has sounded at the MainLine, where amplification is an acknowledged problem, and it is designer Evan Brown with his expert sound mixing who is perhaps the unsung hero of this production. I have admittedly always been wary of shows with large performing ensembles on headsets at the beloved intimate space, but I have been novelly converted and awakened by the possibilities. Bravo.”
— Camilla Fitzgibbon, Montreal Theatre Hub
Technician Positions:
Head of Sound
2022-present
The Segal Centre for Performing Arts
Technical Production Associate
2021-2022
Total Events
Freelance Theatre Technician
2013-present
Companies in the Montreal and Greater Toronto areas
Sound Designer Positions:
Next to Normal - 2022
Contact Theatre
Chicago - 2020
Contact Theatre
Bonnie & Clyde - 2019
Contact Theatre
The Wizard of Oy - 2017
Cote Saint-Luc Dramatic Society
Little Shop of Horrors - 2017
Cote Saint-Luc Dramatic Society
Fuddy Meers - 2015
inFurnace Theatre

Sound Board Operator Positions:
Next to Normal - 2022
Contact Theatre
Bonnie & Clyde - 2019
Contact Theatre
Kiss Me Kate - 2018
Sheridan Theatre
The Wizard of Oy - 2017
Cote Saint-Luc Dramatic Society
Little Shop of Horrors - 2017
Cote Saint-Luc Dramatic Society
Hairspray - 2015 (select nights)
Cote Saint-Luc Dramatic Society
Fuddy Meers - 2015
inFurnace Theatre
Avenue Q - 2014
St. Georges High School
Lighting Positions:​​​​​​​
BlackTrax Product Specialist
2018-2021
BlackTrax (CAST Software)
Head Lighting Technician
Trapdoor - 2018
Sheridan Theatre
Head Lighting Technician
How to Succeed in Business (without really trying) - 2018
Sheridan Theatre
Lighting Board Operator
The Wizard of Oz - 2015
Centre Stage Theatre
Other Sound Positions:
Sound Intern Field Placement
2019
Shaw Festival
Head of Audio
Kiss Me Kate - 2018
Sheridan Theatre
Monitor Mix
Shrek - 2016
Sheridan Theatre
Sound Effects Programmer & Operator
Shrek - 2016
Sheridan Theatre
Let's create something wonderful together.
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